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The Wheels on My Bike ...
By Duff McKagan in Duff McKaganThursday, Jan. 14 2010 @ 9:10AM

A couple of years ago, I became the proud owner of a black 2006 Harley-Davidson Road King motorcycle. And why not? I am sober and of relatively good faculties and judgment. A lot of my good friends ride motorcycles, and I would sometimes feel left out. No, the time was definitely perfect for me to start my life as a motorcycle enthusiast.

The man who has produced everything Loaded has ever done is Martin Feveyear. Jupiter, his studio here in Seattle, lies in the heart of Wallingford, and in summer the area becomes a veritable crossroads for bikers going to and from anywhere else in Seattle. In 2001, I made the first Loaded record with Martin, and he would lay out photos of a bike, still in pieces, that he was putting together. The story goes that this same bike had been in Martin's family from the day he was born in the south of England. It was a 1951 Sunbeam SX, and his family's lone mode of transportation!

Some of Martin's first memories are of him and his sister riding in a sidecar attached to the old Sunbeam with his mom and dad on the bike. For family vacations, they would hook a trailer to the back, sometimes stopping to push the whole contraption up long hills in the English countryside. That bike just didn't have the horsepower for a family of four, a sidecar, AND a trailer.

By 2001, Martin's dad had shipped the whole bike in pieces to Martin, who was going to do his best to fix the broken bits and put it all back in working order. I only say that Martin was going to do his best, because while he is exceedingly proficient in the studio, a mechanic he is not. By trial and many errors, though, Martin did eventually succeed in getting the 'Beam back in tip-top shape, and to this day that bike gets him around town probably 60 percent of the time. He even took his 6-year-old daughter back to England this year and put her in the sidecar of a vintage Sunbeam, and together they toured the country. Pretty cool.

My point to the Martin story is that I watched all this go down, and started to query myself why I wasn't riding. That is when I got my bike. Sure, I had ridden motorcycles before, but was in no way an expert. During my late teens and 20s, I would say that it was a GREAT and GENIUS thing that I did NOT have a motorcycle. That would have been an accident waiting to happen. Besides, you can't drink a cocktail or all those other bad things while shifting gears on a bike. The one time I did get on a bike during this era was when I got on a cop's bike during a GN'R video shoot ("Don't Cry," I think). The poor cop was just working the shoot, and he let me take his bike for a spin. I crashed it...

It wasn't just Martin who inspired me. A lot of my friends in Seattle would get their bikes out of the garage and fire them up and gallivant around town, while I was seemingly missing out on all the fun (FYI, spring in Seattle is anytime it gets over 40 degrees and it's not raining).

A year and a half ago, my band Velvet Revolver did a summer co-headlining tour with Alice in Chains, whose drummer, Sean Kinney, is one of those Seattle bike friends I'm talking about. Over the past several years we have become good friends, and this tour gave us a chance to hang out a lot together. He and I and his drum tech, Tavis LeMay, all decided to bring our motorcycles on that tour, and I got to ride around a ton of beautiful parts of the U.S.

It's funny how places where usually you would just sit around backstage all day could suddenly transform because of access via two wheels with friends. Riding in a state park in Alabama instead of listening to drums getting tuned all day over a PA system is a good thing indeed. On days off, we would ride around in whatever city we were in and go to dinner or whatever else. It staved off the loneliness of being apart from my family while opening up a great new view of places I had been before but never really seen.

I found a great deal on a sleeker and faster bike down here in Los Angeles last year. L.A. is no doubt a much more dangerous place to ride, because people in cars down here are reckless drivers in a big way. I got a call yesterday that my friend Gilby Clarke (a former GN'R guitarist) got in a bad motorcycle accident when a truck pulled out and took a left in front of him. When I went to see him in the hospital on Monday night, Gilby further told me that the guy in the truck just took off, leaving the scene of the accident. My friend "Biker" Tim (whom I have written about in previous columns), also got in a bike accident recently. Maybe I will sell this bike down here after all.

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Taking Iraq War Vets to the Summit
By Duff McKagan in Duff McKaganThursday, Jan. 21 2010 @ 8:51AM

In the past, I have written a few times about some of the adventures I have been able to experience because of my friend Tim Medvetz. For those of you who don't know him from the Discovery Channel series Everest Beyond the Limit that aired a couple of years ago, he was not only a team member of that Mt. Everest expedition, he also summited the mountain in 2007--an amazing feat for anyone, and for this man in some respects even more so.

I met Tim a few years ago through a mutual best friend, Richard Stark, and it immediately became evident that we shared the same sense of adventure and humor. Tim was fresh from summiting Everest, and I was full of questions for him that night (mixing humor and wanderlust from me may come in the form of "Everest, huh? Cool! Was it high?" Stupid for sure, but Tim dug my line of questions/humor . . . I think).

Later that summer, Tim and Richard rode their Harleys through Seattle and stayed with the family McKagan (our house is now dubbed "Northwest headquarters" because, well, with Richard and Tim, what is mine is theirs and likewise). This prolonged hangout gave Tim and me more time to work on our comedic duo routine, and it gave me time to learn a bit more about Tim.

You see, Tim and Richard were to be taking a ferry from Bellingham up to Alaska, where they would continue their bike trip across Canada and down to New York. It turns out that when this ferry gets to Alaska, one must drive through a slice of Canada to get back into Alaska again. Well, this is when I found out Tim used to be a member of a very famous outlaw bike gang . . . er, club. Canada doesn't allow those kind, apparently, and Tim and Richard found themselves face-down with guns drawn on them at that border, and eventually back on that same three-day ferryride, southbound, back to the Northwest headquarters.

His story since 2001 is pretty unbelievable.

In September 2001, Tim got hit by a car while riding his motorcycle down here in L.A. He suffered tremendous head, back, and leg injuries. He woke up in the hospital only to see a bunch of nurses and doctors gathered around the TV set in his room. As his vision started to clear, he became cognizant of the images of a Trade Center building in NYC falling to the ground. He faced that same despair we all felt, and on top of that, the doctors said they would have to amputate a foot, put a steel plate in his head, and put a steel-mesh cage around his lower spine.

After being threatened with grievous bodily harm, the doctors found a way to save Tim's foot, but only just. His ankle is fused permanently. Doctors told him that his physical activities would forever be limited to a couch, basically. Ah, but Tim was reading Into Thin Air by Jon Krakauer while he was in that hospital bed, and vowed then and there to climb Mt. Everest.

After being discharged, Tim went to Brazil to study jiujitsu with the Grace family for two years, AND became a certified dive instructor and skydiver. I think he did some time in a Brazilian prison too . . . just for kicks.

After his stint in Brazil, he came back to NYC to run the door at the world famous Hogs and Heifers bar before departing to Nepal to learn the ropes of high-altitude climbing. He also spent six months in veritable silence in a monastery there. Silence is not Tim's strong suit. His time in Nepal was followed by a year in Thailand at a live-in kickboxing school. It was now time for him to somehow get up Everest.

Tim joined a team that was going to attempt Mt. Everest in 2006, and maybe this incredible story should be left to another stand-alone column. Suffice it to say nothing comes easy to Tim, and his journey through India to get to Katmandu was filled with scrapes and triumphs. When he did finally get on the team, it turned out that The Discovery Channel happened to be filming this expedition. Tim eventually garnered worldwide fandom as the most intense and nonconforming member of that team. In 2007, he finally realized his hospital-bed dream and summited Mt. Everest.

Over the course of the following year, 2008, Tim, Richard, and I got together more and more often as friends who shared an interest in things like the outdoors, sports, and music. But most important, we all seem to share a sense of family, brotherhood, and honor, things that seem at times to be missing too often in this hyper-fast information age.

Eventually, Tim invited me on a training hike or two. It was on these hikes, and the times that Tim would come to visit my family, that I began to understand the true character that this man has somehow contained under that flesh. Tim got me up my very first winter summit last year, and without him being there, it would have been only a fraction of the fun. Honestly, I probably would not have made it to the top of that mountain without his humor-filled chiding and hard-won expertise.

I found out on these hikes another thing about Tim: He has another much grander and more selfless dream. After seeing a TV special on U.S. soldiers who have lost limbs in Iraq and Afghanistan, Tim was inspired to get up and at least try to help. Remember, Tim was told that he would be an invalid himself. He knew what these kids were facing emotionally when they finally got back home to their mom's couch in Minnesota or wherever, limbless and aimless and suffering myriad emotional difficulties.

Tim has now started a foundation where he himself will attempt all the world's seven highest summits WITH a wounded veteran along for the climb. We are talking about single and double-leg amputees--young men who want to overcome for themselves and carry the message home to their fallen brethren. A message of hope and inspiration, if nothing else.

Over this last year, I have ridden along with Tim on the ups and downs and highs and lows of trying and finally succeeding in getting his "Heroes Project" up and running. Last week he came over to the house with a hand-shot DVD of his first two "Seven Summit" attempts with wounded U.S. veterans of the Iraq War. I was stunned by what I saw. I am proud of my friend.

Tim is a man who, through his own battles with injuries that could have set him back forever on a couch in a fit of despair and depression, really knows what these wounded warriors are up against. He does this not for glory for himself, but indeed, as I have gotten to really know Tim, for the betterment of mankind as a whole.

See for yourself at theheroesproject.org.

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The Future: Hawks, Rock, and a McKagan/Novoselic Ticket In 2012
By Duff McKagan in Duff McKaganThursday, Jan. 28 2010 @ 9:00AM

Sometimes I just can't find that one defining thing to write about. It is often at this point, when I can't focus, that I realize that a bunch of stuff is all going on at once. For instance:

Music: "I think records were just a little bubble in time, and those who made a living from them for a while were lucky. There is no reason why anyone should have made so much money from making records, except that everything was right for this period of time. I always knew that it would run out sooner or later. It couldn't last, and now it's running out. I don't particularly care that it is,` and like the way that it is going."
-- Brian Eno

I think what Eno is trying to get across here is that corporate music America got too fat and greedy, and pushed true art aside for the next big thing that would sell more copies rather than be an important and brave musical adventure. Oh, sure, Ticketmaster and Live Nation just completed a big merger this week (President Obama? Antitrust? Anyone?), but the major labels are in their death-rattle stage.

It is an exciting time for forward-thinking people to launch something new and righteous for their artists and highly accessible for the listeners. Good art will again prevail, because live shows will be what generate the income. Good art attracts large crowds. Large crowds buy more shirts. A band or artist can print their own shirts. Good art can be made available through online digital portals on the artist's terms. Vinyl is becoming very popular again. Good art can indeed support itself and flourish financially. That is good business. Fuck the major labels. Go support live music TODAY!

Football: Yes, I am a huge Seahawks fan, and knew in Week 4 or so that we didn't stand a chance in hell this season. It is at this point in a season that I try to find another team to sort of secretly pull for, a team that may have a chance of going to the playoffs and whose story I like.

This season, my auxiliary team was the Minnesota Vikings. I've liked Steve Hutchinson since he was here in Seattle, and, to be honest, me and every other 40-something male in America pulled for Brett Favre this year. We rooted for Favre because he is the last hope for guys like me. There is still a glimmer of hope that yes, I, Duff McKagan, could "suit up" for the NFL and hear the crowd absolutely roar as I cross the goal line after receiving an 80-yard slant-pass from some QB half my age, winning the Super Bowl for my beloved Seattle Seahawks and the 12th Man!

I cringed last Sunday as Favre took repeated punishment and the Vikings' hopes slipped out of Adrian Peterson's slippery hands. The Saints have a great story too this year, and so I suppose I will pull for them in the Super Bowl . . . I just hope that Favre comes back for another year. I don't want my football-watching couch to be a vantage point for watching dudes in their 20s next year. Unless of course it is watching all the genius draft picks that Pete Carroll gets, taking us all the way to the Super Bowl (or at least a winning season?). Until then, let's go, Mariners!

Side note: Before I get a whole rash of "old age" comments from you readers, the 40s ARE the new 20s, so suck it.

Obama: Well, here we go. According to almost every news channel and poll out there, America is getting somewhat disheartened with our Prez. I suppose I see some of the logic here. President Obama hasn't really taken a hard stance on ANYTHING to this point in office, and we were all expecting some sort of hard line on, at least, health-care reform or über-transparency with the stimulus package. No. The Health Care Reform bill has been nothing but watered down since its first appearance last August (kowtowing to the Republicans when the Democrats had the majority vote all along. I still don't get that move. Too late now, though--Republican Scott Brown, of course, just won to fill the slot left vacant by Senator Ted Kennedy). A Republican winning a Senate seat in old-school Democratland Massachusetts does not bode well for Obama's party and popularity.

President Obama has shown this week that finance guru Tim Geithner may be falling out of his good graces. I am not sure who is to blame for the blunder, reported this week, about the "stimulus signs" that are appearing on our nation's highways. Apparently, with the money used to make these signs that PROMOTE the stimulus money creating jobs, we could have created hundreds and hundreds, maybe even thousands, of jobs actually FIXING the roadways. I hate this crap.

Hey, I haven't forgotten all the praise I have written here about Obama, and I still back him 100 percent. Our Republican right just seems a little dangerous and creepy right now. Maybe fellow Reverb columnist Krist Novoselic and I should run for office in 2012? We'd be kick-ass, and we could rock, too. I think this country needs tax incentives for business and lower taxes for citizens AND sweeping social programs. Let me work on that.


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KING CHARLES the little doggie

You never ask a navy man if he'll have another drink, because it's nobody's goddamned business how much he's had already.

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Duff McKagan: Underground Is the New Mainstream
By Duff McKagan in Duff McKaganThursday, Feb. 4 2010 @ 8:51AM

Somebody asked me last week if I could open up for discussion the difference between "mainstream" success for a band or artist, and "underground" success. So here goes:

Back when I was a lad and punk rock was all the rage, the movement itself was self-supporting and eventually made its way to college FM radio, which was then a new and burgeoning way of spreading musical ideas.

In the early '80s, bands like R.E.M. and U2 were gaining speed on college radio as underground successes. They were selling records for their indie labels, and selling out shows on college campuses around the world. Of course, when you put the word "success" or "sales" up against a marketplace, nothing can really sustain its core underground-ness.

Major labels tried to capitalize on the success of the underground dollar by creating imprint indie labels. That is to say, the same major-label muscle with a new street cred name (GN'R's label, Geffen, created DGC sometime in 1986 or '87 just for this purpose. The Muffs or the Waterboys on Geffen Records would seem like a sellout to their fan base, but DGC? Well, that was fine!).

Mainstream success is basically the same deal. Artists and bands sometimes, and more commonly, want to be a mainstream success. This is where the possibility of the major dough can roll in, especially if one is unabashed by what commerce looks like to their public. Someone like Beyonce actually uses her fan base to sell perfume, clothes, makeup, and anything else. It's not a bad thing, either. She doesn't let her music suffer as a result, and can get away with it (a female audience like hers LIKES all these extras). Jay-Z, on the other hand, while achieving mainstream superstardom, stays far away from being perceived as selling out. Jay-Z WAS once a fairly underground rapper from Brooklyn. It seems that he wants at least a part of his art to still be perceived as underground and edgy.

Silversun Pickups and MGMT have an image of being underground, but both are on major labels, sell tons of records, and were up for major Grammy categories. "Alternative music" used to actually mean something. College radio WAS the alternative to, well, everything else. "Alternative" is now just another selling-tool catchphrase (kind of like "change" in politics!).

I still think that there are stalwarts in our industry who blend a good bit of mainstream and independence. Foo Fighters kind of do what they want, right? Nine Inch Nails for sure do. Alice in Chains paid for this latest record themselves, and licensed it out to a major label, enjoying the marketing that only a major label can afford.

Underground success, though, will soon be redefined, and, I am sure, become more of an indicator of overall success. Major labels are dying because of their shortsightedness, brought on when they introduced a digital format just to sell the catalogs of certain acts all over again. Little did they know in 1989 that every home would have a computer some five short years later. When Napster tried to make a deal with the majors on revenue-sharing through advertising on that site at the time (hundreds of millions of dollars in 1997), the majors buried their head in the sand and continued their lawsuit with Napster. Napster lost, and the floodgates of free content to everyone have never stopped, and never will. Artists are the smartest people when their backs are against a wall. Free music will serve as the new loss leader to bands trying to attract a larger audience.

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All Apologies
By Duff McKagan in Duff McKaganThursday, Feb. 11 2010 @ 9:07AM

I was in a recording studio the other day and had some time to kill. If I am not reading a book or writing, I will often scavenge around for a newspaper or magazine. On this day, I came across Cobain, a tribute put out by Rolling Stone some months after Kurt's death in 1994.

I can't really pinpoint the reasons, but suddenly there in that dingy studio, I was enthralled and emotional. I read this book from beginning to end, and while of course I remember this time well, I don't think the scope of the sadness came to me until this moment. A profound sadness that stirred up a lot of emotion that maybe I haven't dealt with yet. I don't know, to be honest.

I was on the same plane as Kurt on that flight up from Los Angeles a couple of days before his death. We were both fucked-up. We talked, but not in depth. I was in my hell, and he in his, and this we both seemed to understand.

When we arrived in Seattle and went to baggage claim, the thought crossed my mind to invite him over to my house then and there. I had a real sense that he was lonely and alone that night. I felt the same way. There was a mad rush of people there in public. I was in a big rock band, and he was in a big rock band. We were standing next to each other. Lots of people stopped to gawk. I lost my train of thought for a minute, and Kurt said good-bye and left to his waiting town car. His new house was right down the street from my new house. I received a call from my manager two days later that Kurt had died.

I suppose I was numb to this sort of thing at this point in my life. I had lost two of my best friends to drug overdoses. People in my own band had overdosed multiple times. My life and addiction were spinning out of control, and my body was failing in so many different ways. It is possible that I was incapable of feeling sadness, incapable of picking up the phone and calling Krist or Dave. In truth, I had such low self-esteem at that point, that I am sure I felt my call would have no impact on these fine men.

I had been really excited back in 1991 or so, when bands from my hometown of Seattle started to rise up and get recognized for magnificent music. I was proud because I knew the scene there was truly unique and self-supporting and open to new and different ideas.

A few years later, at the MTV Awards where my band and Nirvana both performed, I blew my lid when I perceived a slander toward my band from the Nirvana camp. In my drunken haze and drug-induced mania, I heard what I wanted to hear, and I went after Krist Novoselic backstage. I had no control of myself then. And Krist, I am sorry for that day.

Krist, my colleague and friend, I am so sorry for your loss, too. I am sorry I could not be your friend back then. We had so, so many things in common. We have so many things in common today.

I am sorry that I didn't have the faculties to just come up and talk to you at the MTV Awards in 1992. I was mad and insane then. My scope of dealing with any sort of conflict had narrowed down to barroom brawling. Kim "Fastback" Warnick, my mentor, called me the day after my embarrassment and scolded me for it. I felt so low. I simply did not know how to call you and apologize then. My dream of being in a band that everyone in the world believed in had come to life. The complications that came with that dream were also making themselves present. You were dealing with the same things I was. We could have had a lot to talk about together.

I am glad that you have overcome that mad season in your life. It takes a strong man to have that sort of devastation not permanently handicap you. Your band should have been one of those that kept setting new benchmarks for what a rock band is. Your career and vision was cut short. We musicians just don't talk about this kind of stuff, thinking maybe it's a little too touchy-feely. We are expected to just get over it. Why, don't we have piles of money to make ourselves feel better with? If only people knew.

I am not trying to embarrass you, Krist. Maybe I am only trying just now to come to grips and exorcise some of my own hidden monsters. I am glad that we are now friends and I hope that this part of the story will last a lifetime.


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Reply from Krist:
Krist Novoselic: Kurt Cobain, Alexander McQueen, and Making Sense of It All
By Krist Novoselic in Duff McKagan, Krist NovoselicFriday, Feb. 12 2010 @ 8:31AM

Krist Novoselic
Kurt Cobain, on tour in Europe in 1989. Krist Novoselic is a regular contributor to Reverb. His column on music and politics runs every Tuesday.
Dear Duff,

No worries on the MTV music awards. There were all kinds of shenanigans going on. And I've been drunk and irresponsible myself too many times. That self-destructiveness can lurk in the shadows - lubricated by one substance or another.

I read your column and it brought up a lot of feelings for me and if we do look back, let's not forget the positive. I remember the time later in the 1990's when we crossed paths again at the Showbox. I said it was good to see you, and it was.

Moments after I read your column about Kurt, I read the news about Alexander McQueen and his shocking suicide. On top of that, there was another news report that the authorities found out who stole the "Arbeit Macht Frei" sign from the Auschwitz death camp. I stepped out to get some air and all this came together.

Kurt Cobain and Alexander McQueen were talented and successful individuals. They owned the world. But they obviously didn't see any value in what they had. There was something inside where things seemed futile.

Now imagine the life of those who suffered in the death camps? They were imprisoned starved, tortured, humiliated, raped - their loved ones died in front of their eyes! Yet people struggled to live. In fact, after the camps were liberated, many survivors went on to have productive lives and some are still living!

You can't be rational about suicide. It's hard to reconcile. When someone is murdered, you can get angry at the killer. This happens with suicide, but you're mad at both the victim and the perpetrator! It's the ultimate act of self-destruction.

Alexander McQueen was an excellent artist and craftsman who left us so much. His work promises to have a lasting influence on fashion in the 21st Century. In a way he lives.

They're putting the sign back on Auschwitz that we may never forget the suffering inflicted by an evil ideology - we also remember the triumph of so many individuals who pushed on in the face of the horrible atrocities of the camps. Again, when somebody take their own life, it's hard to make sense of things. It's a cruel paradox - that notorious sign that reads, "Work Sets You Free".

 
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Duff McKagan
Adventures in Capitalism and Greed
By Duff McKagan, Thursday, Feb. 18 2010 @ 5:04PM

"The whole labor of the world lies at their mercy--and like fierce wolves they rend and destroy, like ravening vultures they devour and tear! The whole power of mankind belongs to them, forever and beyond recall--do what it can and strive as it will, humanity lives for them and dies for them. They own not only the labor of society, they have bought the governments, and everywhere they use their raped and stolen power to entrench themselves in their privileges, to dig wider and deeper the channels through which the river of profits flows to them." --The Jungle, Upton Sinclair

Last weekend, for the first time, I finally watched Michael Moore's latest film Capitalism: A Love Story. Now to be fair, I watched this film on a plane that started its descent just as the film was getting to the poignant end--when we the people had finally spoken and elected Obama, therefore finally clamping down on the banking industry and all its villains and bad guys. Chuckle.

I'm sorry I'm so skeptical. It's just that in my view, and from what I've discovered avidly reading financial papers and textbooks, political office, lobbyists, Wall Street, and the banking industry are so interwoven and above reproach that unless Obama throws out Geithner and stages some sort of grand socialist /co-op work program on a national scale, we are just doomed to repeat the mistakes that led to our current crises. That is, if and when we get out of our current mess.

I read somewhere that as of late, banks were being called "casinos" because of the way they are gambling with people's money, but that would be unfair to casinos. Las Vegas must at least (by law) keep a specified amount IN RESERVE to cover their ass. The banking industry does not have the same regulation . . . you read me right.

Obama is not a dumb guy, and I hope he is right now studying flubs from the past to hopefully learn a thing or two about getting us all out of this crisis with the least amount of pain. I hope.

What has been happening to the global financial markets over the last 30 years or so is an almost conceited blindness to the failures of the past because of boom-time lust. What has happened recently in this credit crisis is not a product of failure. It is a product of success.

I believe Winston Churchill stated back in the late '40s that "Democracy is the worst form of government, except for all those other forms that have been tried from time to time." When General Eisenhower became president after the war, he instated a 90 percent tax against the richest of the rich here in the U.S.A. It paid for the war and built our interstate highway system, dams, and other massive infrastructure. In the 1950s, America was never so prosperous. Eisenhower was never questioned, because by God he won the fucking war! A 90 percent tax sounds a lot like what they do in Sweden and other "soft" socialist countries. [SO, IS THIS SOMETHING YOU'RE SUGGESTING WE SHOULD DO?]

Michael Moore points to a pretty poignant grand overview with his movie, though: The capitalist propaganda machine was cranked into high gear, selling it as being as American as apple pie. Maybe Obama can start cranking out propaganda that exhorts social programs and shared revenue. Are we ready to listen?


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How a Recovering Addict Deals with Girl Scout Cookie Season
By Duff McKagan, Thursday, Feb. 25 2010 @ 8:47

Most of you must know at this point that I have two daughters, 9 and 12. My 9-year-old has been a Brownie and a Girl Scout for the past three years. It's a really sweet endeavor that gives her some life tools that as a father I wouldn't even know how to begin to approach. It is ALL good.

Ah, but once a year, it becomes time for the Girl Scout Cookie campaign, and my darling little girl has become a crack sales-person, especially when it comes to me and all my guy friends who come over for Sunday football. Little girls just have a way of making grown men melt and do whatever the pigtailed princess wants. My daughter does very well in her fundraising campaign as a result.

For me, I always end up buying around 10 boxes of each flavor, and these days I think there are nine different flavors. Let me back up a little bit and inform you about my strict diet program that started about a week after I got sober in 1994. A diet that helped clean out my system and that I have stayed on because, well, I've just GOT to hang on to my girlish figure, don't I?

In my drinking and drug-using days, health and nutrition were completely foreign topics to me, and I was lucky if I ate a hot dog or Fritos once every two or three days. My view from that deep, addicted hole did not allow for much thought on cholesterol levels or bad carbs vs. good carbs. Clean food and vitamins were for those who planned to live past age 30, and there was no way, I thought, that I would be in that category.

Yeah. But I got my wake-up call in 1994, and suddenly I realized that maybe I was going to be one of those few guys who were going to live (the list of those like me was becoming too rarefied at that juncture). I've written here before about bits and pieces of my recovery, but a huge part of it was my diet. After putting so many harmful things into my body for so long, I needed to purge my system and begin to learn the process of nutrition and fueling my blood, organs, and muscle tissue to help me regain my health and reverse some of the damage done. I was also about 50 pounds heavier that I am now, and the weight I was carrying was NOT muscle. All the sugar from the tons of alcohol had left me with a spare tire of fat and bloat. NOT sexy.

A friend of mine turned me on to a diet that was being used for people with cancer and other diseases, who were showing a marked improvement by adhering to it. It consisted of watery fruits in the morning, greens with fish for lunch (no snacking!), greens with fish or free-range chicken for early dinner (no late-night food!), and LOTS of exercise!

This taught me how to eat three meals a day, and it really started to make me feel better. I could actually feel the nutrients as they entered my blood system. With the exercise and no carbs, my weight just started to drop off, and I could see muscle tone returning. This was all a huge victory for me, and I started to feel GREAT all the time.

Flash forward a few years, and my wife and I have small kids at home. New foods start to pile up in our pantry. Potato chips. Cookies. Ice cream in the freezer, chocolate around Halloween and Christmas. When you quit alcohol, there is still a huge craving for all the sugar you've just cut out, and for me it's a constant battle. Plenty of times I have downed a whole family-sized Hershey's chocolate bar with almonds in less than 10 minutes, much as I used to down a gallon of vodka. I always feel like absolute shit after these episodes, so I really make an effort to just not have chocolate or cookies in the house. If my wife or kids have the stuff, I literally ask them to hide it from me and not even let me know about it at all. Oh, but I just ordered 90 boxes of Thin Mints and chocolate macaroon cookies from my sweet little daughter, didn't I? They arrived two days ago. Fuuuuuuck!

That first night, I ate two whole boxes. I felt like that guy with melted chocolate all over his face and hands, crying uncontrollably, watching a sappy soap while listening to Celine Dion. Yesterday, I gave the cookies away, sheepishly, to some friends. The things a father will do. The things my head will do to me in the throes of chocolate mania.

P.S. My daughter got her Girl Scout badge to go along with my badge of shame that must have been outwardly visible to those friends I gave the cookies to.

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For Guns N' Roses, London Called Early
By Duff McKagan, Thursday, Mar. 11 2010 @ 4:51PM


I am in London this week looking at a bunch of unsigned bands for a new venture that I am part of. It is fresh and fun to see some of these bands: startled kids with huge and hopeful eyes that see a world that is theirs for the taking, energetic, unjaded, and full of piss and vinegar. I need to see this now and again to remind me what music should be all about. It also reminds me of the first time I came over here: It was with GN'R in July of '87, a few weeks before Appetite for Destruction came out.

The year before, we had put out the Live Like a Suicide EP. This fast and furious collection of songs sort of just died everywhere else in the world except for the UK. Unbeknownst to us, a cult following of fans was building over here who were chomping at the bit for any news on the band. When Kerrang magazine sent a photographer to Los Angeles to shoot us for the cover, we couldn't actually believe it. We had received press coverage in L.A. at this point, but KERRANG?! Are you kidding me?

After we finished Appetite and were waiting for its release and tour opportunities, we were approached to go to London and play the famous Marquee club. The only place I had been outside the U.S. was Vancouver, B.C., to play punk-rock shows with my various Seattle bands when I was a teenager. This was BIG! Huge! Magnificent!

I think it's assumed these days that GN'R kind of "broke" straight from the get-go after the release of AFD. Truth is, it took us nearly a year of straight touring before anyone paid attention to us in a significant manner--except for the UK.

An odd clash of circumstances occurred in Britain about a year before Live Like a Suicide came out. Back then and before the Internet, the youth over here would sort of latch on to one rock-and-roll band and identify it as their clarion light. That band was Hanoi Rocks, an amazing group of Finns who had relocated to England and were writing some of the best and dirtiest rock songs. When Hanoi finally came to tour America for the first time in 1985, their drummer Razzle died in a car crash while making a booze run with Vince Neil in L.A. I had just moved to Hollywood, and Slash and I had tickets to that Hanoi gig that never happened. It was an incredibly sad moment not only in rock and roll, but all the way around. Hanoi Rocks never quite recovered.

Flash forward to our gig in the UK, July 1987. After the first Marquee gig sold out in record time, they added a second date. That sold out just as fast, so they added a third. By the time we arrived here (we stayed at a rent-by-the-week apartment because it was much cheaper than a hotel), we were kind of like little mini-celebrities. There were times that people would stop us on the street and they actually knew who we were! It was quite weird, even on a small scale.

I learned to ride the tube [subway] everywhere, and it just seemed that there were great gigs every night we were there. Slash and I went out to a suburb one night to see the Replacements, and got so drunk that we lost track where we were. We caught a tube to somewhere that was not anywhere even close to our apartment in Kensington. We got into a drunken fight when we got to the end of the line, and realized that there were no more trains running and that we didn't have anything close to the amount of money to take a cab. Come to think of it, I doubt we even knew the address of where we were staying; we only knew how to get there from our local tube stop. To this day, I am not sure how we ever got back that night. Did we sleep in the train station? Ah, the luck and providence shown to the young and drunken and foolish!

But the real reason we were here, of course, was to fucking rock. I must say that back in that period of the band's career, nobody did it with more purpose, sneer, and reckless bad intent than us. This is not me bragging--it's just that we were hitting on all the right cylinders at the same time. When we walked to the Marquee on that first night, we were met by the crowd that was in line surrounding the block. We were absolutely fucking amazed that all these people came to see us. We hung out there in the street with them before and after those three gigs. We found that we had suddenly become "that" band that the youth of England had been looking for to fill the void left after Hanoi Rocks' tragic demise. Within four years, we would be headlining in stadiums here.

I am here now as a real grown-up, an adult doing very "adult-like" business and meeting with real-life businessmen. I am glad to be taken seriously in these meetings, and for certain feel that I have earned the right to be doing the things that I do outside of just playing music. Coming back to London, though, always puts a smile on my face. That first 10-day stay here as a young man will forever be a brilliant memory that will always keep me from becoming jaded.

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Duff McKagan
Happy Fishing, Slats, My Old Friend
By Duff McKagan, Friday, Mar. 19 2010 @ 3:09PM
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Chris Harvey, AKA "Slats". Duff McKagan's column runs every Thursday on Reverb. He writes about what music is circulating through his space every Monday.
Slats and I did not have a boat. But he had a car.

On the southern border of the University of Washington campus lies its school of aquatic and fishery sciences and its salmon hatchery. Slats thought it a brilliant idea for us to hop the fence there with a bucket and simply scoop up salmon at will so we could clean 'em, freeze 'em, and eat salmon for weeks. Everything worked according to plan, and we had a bunch of flopping salmon in a big bucket when the floodlights went on and the night watchman came chasing after us.

I told Slats to just drop the bucket, but he was having none of it. He somehow scaled the fence with that damn thing. One of the funniest memories I will ever have is of him driving the car back to my apartment with his left hand and punching those flopping salmon in that bucket with his right. He had a running commentary with those fish all the way home, saying they almost got us into big trouble and now they would pay the ultimate price.

I have written before that I have borne witness too many times to the hopeful glint in a person's eye being whisked away by agents of vice. My time as a teenage musician in Seattle seemed to coincide exactly with an influx of wave upon wave of heroin to this port city.

The person who personifies this best to me is a young man, back in the '80s, with a hopeful glint and so much more. He was probably the funniest and most charming guy I'd ever met. Chris Harvey (aka Slats) died last Saturday of complications due to a broken hip. Unfortunately, drugs had claimed him long before, and held him. This is not meant to be a crude or heartless comment directed at a man who is no longer here to defend himself. I loved that guy like a brother once upon a time, back when the playing field of youth was even and green and soft and we were just opening our eyes to what was possible and available in life.

He was a guy who all the rest of us guys wanted to be like. He had the good looks and charm that all the girls fawned over. He never gloated or preened in his status as the coolest guy in the room, and that very thing made him seem even cooler.

I'm not sure how or when I initially met Slats, but it must have been some time in 1980, when we were both either in bands or trying to start one. After we met, though, we became fast and all-of-the-time friends. We started our first band, the Zipdads, together with Andy Freeze from the Vains and Scott Dittman from the Cheaters.

The Zipdads was really more a lifestyle than a musical statement. Sure, we played a bunch of shows here in Seattle and up in Vancouver, B.C., but it was the fun we had together that really set us apart and what other people and bands wanted to be a part of. Slats was always the instigator at the center of that fun.

His mom, too, was so supportive of her son, and would have us over for dinner at their place in Montlake. We would pick up his Gibson SG and Fender amp, and he would always speak highly of his mom even after we left the house. Most teenage boys would find SOMETHING to gripe on their parents about--but not Slats. I always admired that.

He always had the smoothest of smooth one-liners for girls wherever we went. I had no idea where he got his vast repertoire--maybe he just made that shit up on the spot--but girls fell for it hook, line, and sinker.

Slats never was one of the most skilled guitar players, but he somehow crafted his own sound back in our day. When he formed the Silly Killers in 1982, his sound and sense of songwriting were really starting to take shape. Their 7" single, "Knife Manual," is a classic. I don't think it was too much longer before he started to dabble with heroin. He never found his musical form again, and that is sad.

I had seen him around at Loaded shows and elsewhere over the past 10 years, but always tried to avoid him because our paths had grown too far apart and I was frankly dubious and protective of my life, not being a good friend. To be honest, I don't know what we would then have had to talk about. But I could have tried. I should have tried.

I'm so sorry, Mrs. Harvey, from all of us, for the loss of your precious son.

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Yes, I Want to Be Cormac McCarthy When I Grow Up
By Duff McKagan, Thursday, Mar. 25 2010 @ 9:05AM

I am not the quickest reader in the world. Every night before bed is really the only part of the day when I have time for my nerdy passion--and so I usually only get in 10 or 15 pages before I nod off. Norman Mailer's The Executioner's Song took a few months to knock out at my snail's pace. Oh well. The read is just as enjoyable, for sure.

For those of you who know me, you will know that I don't really rest. Even when I am sick, I am still on the go. It's just my nature. Last week, though, after I had arrived home from the UK, I was stricken and absolutely bedridden with bronchitis. REALLY sick. But I look on the bright side of my infirmity: I had lots of time to read. My second most favorite thing to do on this earth . . .

All that said, I think it's time I caught you all up with what has been on my reading list as of late. When I write on this topic, it always seems to get a good response and start stellar discourse.

In Cold Blood, Truman Capote: This book is my latest read. Reading Capote is like going to a movie; his visual descriptions of everything and every character almost pass you by because they are so good. Maybe this would have just been another American murder if not for this book. Would we have ever heard of the Clutters if Truman Capote hadn't become infatuated with this blaring contrast of good and evil on the Kansas plains and written this epic? Doubt it.

Blood Meridian, Cormac McCarthy: Here is a book you are either going to love or hate; it is just too brutal and demanding to really just give a ho-hum read. This story is dark and frightening and brilliant. Two thumbs up from me.

No Country for Old Men, Cormac McCarthy: If it isn't obvious, I go on author kicks--if I like a particular author, I will read everything I can find by him or her. This book, like The Road, Children of God, and Blood Meridian, demands a lot from the reader. McCarthy's stories are not for the faint of heart. In my opinion, he is the best American fiction writer out there right now. I want to be Cormac McCarthy when I grow up.

The Things They Carried, Tim O'Brien: I didn't read this book recently, but a few years back. Someone just asked recently if I'd read it, and the question reminded me just how good this book was. If there ever was an artist on the battlefield, entrenched with his pen and amazing mind, it would be O'Brien. This is not just a war book to any extent.

The Jungle, Upton Sinclair: I know a lot of you probably read this in high school or college or somewhere. The upside of having missed some school in my teens is that now I get to read all of what is or was probably already required reading for most of you. What a f*cking book! I heard somewhere that The Jungle was responsible for changing child-labor and health-code laws back then. A most brutal time in this country's history.

Lexicon Devil, Brendan Mullen: Being a big fan of the Germs may not necessarily be a prerequisite for reading this great rock-and-roll tale. Great? Well, not in the sense that it is a real "literary" piece of work, but great if you want to learn more about the L.A. punk scene in the late '70s.

On deck:



The Help, Kathryn Stockett: I have heard nothing but great things about this book.



Oil!, Upton Sinclair: Because I am on a Sinclair high right now.


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And, Yes, I Got a Book Deal
By Duff McKagan, Thursday, Mar. 25 2010 @ 9:07AM

I am not sure if any of you have heard the rumors about me getting a book deal. I just wanted to announce here first that it is in fact true. The reason for any announcement at all is twofold, actually:

1. Most important, I want to thank the readers of my column for really pushing me to write this book. Those constant suggestions and prodding really made me take a look at what I was saying, and indeed at how I was writing it. The Weekly staff have also been invaluable to me--certain editors here have made a big difference as far as what they expect from me. That too makes for a better product.

2. I want to also make clear that this book is not a GN'R "tell-all" or some other such "rock" book. There are a lot of those at this point. Sure, I will touch on all of that, as it is part of my story, but only just a part of it. Rather, it will be a story of an ordinary guy who met with extraordinary circumstances, and the circumnavigation through these situations. If you have been a reader of my column, then you get the general idea of my headspace. I WILL be writing this myself, thick or thin.

Touchstone, a division of Simon and Schuster, will publish my book in Fall 2011. Stacy Creamer, Touchstone VP and Publisher, will be my editor. I am excited that Tim Mohr, my old editor at Playboy, will be joining me too on this challenging venture and chapter of my life. Tim has edited the likes of Hunter S. Thompson. I look forward to him throwing out thousands of my words and telling me that I am full of shit on a daily basis!




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Re: Duff's columns in Seattle Weekly

lynn wrote:

I had seen him around at Loaded shows and elsewhere over the past 10 years, but always tried to avoid him because our paths had grown too far apart and I was frankly dubious and protective of my life, not being a good friend. To be honest, I don't know what we would then have had to talk about. But I could have tried. I should have tried.

I'm so sorry, Mrs. Harvey, from all of us, for the loss of your precious son.

God, that last paragraph reads like what I wrote to Scott last year.

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Duff McKagan
A Dork Among Hipsters
By Duff McKagan, Thursday, Apr. 1 2010 @ 3:06PM

This week I am down in L.A. My wife and kids are away for the first part of spring break while I had to stay back and put in some work. But this is all OK. Sometimes it is cool to be a lone wolf and a solo-riding bad-ass. The "hunter/gatherer" in us men at times needs to range free and howl at the moon. In my case, this is true--as long as I am home by 11:30 so I can call my wife before she goes to bed. And yes, uh . . . well, my dogs get lonely when I am gone too long . . .

I am not a guy who goes out a whole lot these days. When I am out on tour, I am basically at a gig every night. The last thing I want to do for the first couple of months after getting home is go out to another gig or show. Does that make sense?

By chance, though, two of my good friends were playing shows down here this week AND another friend was having a big birthday sort of bash. That meant I was going to go out three whole nights in a row. I didn't have to get up at 7 a.m. with my daughters, so what the hell?! I was IN!

I love to see good live music, and do what I can to support local and new bands. There were and are those who did and still do the same for me in my career, and I will never forget that. Some of you even read this column on a regular basis.

Some of you may know of Ryan "Go Time" Moore, Loaded's all-of-the-time drum tech and shot-caller (check out Go Time TV on YouTube to get a better sense of the genius that is Go Time). Ryan is a Portland dude, and has most recently been playing with the psychedelic, New Orleans-influenced MarchFourth Marching Band. They are on tour right now and played this past Sunday at a club, so I headed down. Sometimes when you go to see a friend's band, it can get a little uncomfortable if it maybe sucks or is otherwise not to your particular taste. I was, however (thankfully), completely blown away by this show. If anyone has a chance, definitely go see them in Seattle April 9 at Honk Fest West in Georgetown.

The following night, Monday, I went to see former Loudermilk and current Loaded drummer Isaac Carpenter's new band Sea Spin at the Silver Lake Lounge. For those of you who don't know, the Silver Lake section of L.A. is home to only the hippest and coolest of the cool. It seems that there is a conscious effort in that part of town to perhaps even shun a "rock" guy like myself. No worries--I had Go Time in tow, and we polished the tops of our shoes to get a better view of our eventual focus for later that night (get it? shoe-gaze?). Again, I was really quite pleasantly surprised. Sea Spin reminds me of early My Bloody Valentine with a somewhat current twist. Really good! As I left that night, I really felt like a cool and relevant hipster with his finger on the pulse of all that was Silver Lake. I even got a "dude nod" from some of the guys hanging out on the sidewalk as I walked out. I am fucking cool!!

Tuesday night I was invited to a friend's birthday party at the ultra-chic Les Deux in Hollywood. I was too afraid of blowing my cover to ask for the address, though. You're just sort of supposed to know where this place is. If you don't? Then don't even bother. But there I was, the guy calling 411 and asking for an address. I had to try about four different spellings before I got it right.

As I walked up to the doorman, my phone rang. It was my wife asking if I'd fed the dogs and if I was wearing a coat and if I was taking my vitamins and drinking enough water. She loves me. I had to, however, tell her that I had to get off the phone because I didn't want to look like THAT guy--you know the one, the douchebag on his phone going to the door of the cool club. I told her I loved her--in a hushed tone, of course. Yes, you ARE my monkey! Yes, dear, the girls ARE our monkey babies. Yes, babe, the dogs are our monkey grandchildren. "Yes, OK . . . I love you too!" It was time to go be a bad-ass in the mean streets of Hollywood. A master of all he surveys. A man among men. Actually, a dork among the hipsters. But that is indeed OK. My dogs are none the wiser.

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Duff McKagan Addresses the Jane's Addiction Rumors, the Velvet Revolver Talk, and Those Missed Deadlines
By Chris Kornelis, Wednesday, Apr. 7 2010 @ 8:12AM


Hey, Duff. What's up, man? Column was a half-day late this week? Look, I think it's cool that you've got a book deal, but now I hear that perhaps some extracurricular activities are getting in the way of you hitting deadlines. Am I right?

McKagan: Well, it's about time I hear SOMETHING from one of you people at the Weekly! Is this what it takes? I've got to be LATE on a piece?! I'm not sure if you guys were aware that I still play music . . . or if you knew I was ever a musician in the first place! Yes, I have been busy! Not only do I have a wife and two kids and two dumb dogs, but I have been busy writing music for Loaded, and I started a book. I've also been fielding more than a few phone calls and emails because of my new association with Janes Addiction.

What? Jane's Addiction? Hey, man, if you needed some extra cash, why didn't you just say so? We're Village Voice Media, baby! I can probably come up with a couple more bucks a week for you. Would $25 do it?

I think people sometimes actually believe that because I was in Guns N' Roses, I must have a money tree growing in my backyard! Daddy (that is what they call me around here) has got to go out and earn a living just like most anyone else!

Something like a chance to write, record, and perhaps even perform with a band of the quality of Jane's Addiction does not come around every day. I have a lot of respect for this band and the guys in it. The music that we have been writing is an extension of that mutual respect.

Does this mean you've moved a set of steel drums into your house?

Not yet.

Speaking of bands, you know I played in a band too. I Pity the Foo was the region's premiere Foo Fighters cover band, but I gave it up when I started missing deadlines. Have you considered tossing in the hat on Loaded? Or perhaps Velvet Revolver? I mean, Slash is pretty busy these days, too, right?

Loaded will ALWAYS be something I do. It is more a way of life and a way to express music and have a fucking blast with those guys than anything else. I'm sure we have hopes of one day having a song that gets a lot of play on the radio or something like that, but that is not what drives us.

Velvet Revolver had an amazing climb from absolutely nothing to something that people around the planet got into. That is also an amazing thing to observe from the inside. I won't be the guy to say it was anyone's fault that we came to an end with Scott Weiland; shit just happens. If you've been doing this as long as I have, you just learn to shut your mouth and fucking move on. Velvet is in a period of downtime right now, and perhaps we will one day get a new singer. For now, though, I have to look at opportunities when they are presented.

I have been a huge fan of [JA founding bassist] Eric Avery since the mid-'80s, when I would go to see them play at clubs down in L.A. This is not, in my mind, about me replacing him, in any way shape or form. I have a lot of respect for this band and the guys in it. The music that we have been writing is an extension of that mutual respect. AND it's a blast! Perry Farrell is an absolute visionary. Dave Navarro has always been a guitar player who I have had a lot of respect for. Playing in a rhythm section with Stephen Perkins is almost trancelike. Kick-ass for sure. I also want to make it clear to JA fans that I really appreciate all of the kind words and sentiment directed to me.

I put no blame on Slash for VR not just putting everything else to the side and looking for a singer after our parting with Scott. I know Slash very well, and also know that his new record is something that he has arguably been wanting to do since the early '90s. This record is on his own terms, with no band members to deal with. I get it. I think maybe we all needed a break after what went down with us.

I have never spoken or written about this, because things of this nature are just so often better left alone. With the sheer volume of calls and e-mails I have received in the past week regarding JA, I thought it best if I was completely open about all the factors that make up my career. We are all friends in VR, don't get me wrong, but with all the different issues that plagued us, we all just needed to do something else for a while, I suppose. As I said, though, I also cannot just wait around. Life is short, and I am going to make the most of it.

Oh, damn. Now I kind of feel like a dick. Hey, if this doesn't work out for you, I'm sure we could find a job for you in the circulation department. Those guys are cool as shit.

Hey, you never know, this could all change tomorrow.

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